tutorial stuff

gaysealapproves:

I found this nice tutorial/anatomy advice spread created by meghanhetrickof deviant art.

She gave me permission to post it up here to share so go make sure to visit her and look at her other creations of goodness! 

(via helpyoudraw)

qinni:

More tips:

• The closest I could find on Amazon to the watercolour set I use is the Sakura brand of Koi Assorted WaterColours Field Set.
• Just use any old toothbrush. I used to use the ones that my dentist would give me after a visit, just because those were kind of cheap and I wouldn’t actually use them anyways.
• I use acrylic for flicking and highlights because watercolour-whites tend to fade when they dry. 
• Also, remember to keep your hands clean, because nothing’s worse than smudging graphite into your watercolours and then unable to get it out.
• Try to avoid black and white when possible. They tend to dull the colours and it loses that watercolouring lustre. 

Since I started watercolouring again for my daily sketches, I’ve gotten a lot of asks/dA notes on if I could give a tutorial on watercolouring and also more specific questions that overlapped each other, so I decided to do a semi guide/tips/answering thing.

I actually started watercolouring before I went into digital medium, so I have a bit of personal experience, but I am essentially self-taught when it comes to watercolouring since there weren’t a lot of watercolour tutorials online back then to begin with, so I cannot promise that these are the absolute correct way of doing things. 

Hope it helps anyways :)

My Other Tutorials/Guides | My Daily Sketches

(via fuwacchi)

losthitsu:

Body drawing review - translated version.

(Source: akelic, via helpyoudraw)

helpfulharrie:

Source: Coyotemange

See Also:
(click)

(via helpyoudraw)

genevieve-ft:

beatormo:

Cómic published the last summer is the webcómic “Caniculadas”.

Special thanks to Andre for the translation!

Yes. Thanks.

(via iraya)

anthonyholden:

What are studios looking for? How can I get into a good animation school? What should I be studying?

I get a lot of these types of questions now and again, and I never know how to answer them. I can’t be sure of what studios are looking for, I don’t control admissions policies to schools, and I have little idea what makes for a current and relevant curriculum. There are a lot of variables in your bid for a career in animation, and it’s kind of impossible to control most of them. You must be crazy to want this job!

I find it helpful to focus on the things I can control. Among those things are your study habits and how you spend your personal time. It’s good to work hard and have goals—without them we would get nowhere. Study hard and make decisive strides towards achieving your art goals. But in the heat of that pursuit, don’t forget to go out and live your life!

If you spend any amount of time looking at artists online, you’ve probably figured out by now that there are about a million dudes and dudettes in internetville who draw better than you (I relive this realization daily). Once your have done your best to rise to their level, the only tool you have to compete with these crazy talents is your background, your personal character—is you!

Consider developing your whole self with the same raw focus and intensity that you develop a particular skill set. Get focused. Go out, have adventures. Run, jump, skin your knee, fall in love, root loudly for the away team at a baseball game, barely escape a crash of stampeding rhinos, live to see another day. Experience things big and small. Go for a walk. The world is full of wonders.

I know this advice is not particularly animation-specific, but maybe that’s for the best. At any rate, it is something I feel strongly about. Animation is great, and there are few things that I enjoy doing more than drawing and storytelling. But in order to have stories to tell, first you have to live them.

Be good, and see you soon!

PS, if you were looking for advice on draftsmanship you should probably be reading this.

(via c2ndy2c1d)